Vladimir Tatlin, a key figure in the birth of Russian Constructivism, was born in 1885. He was known for his innovative approach to art, blending elements of Cubism, Futurism, sculpture, and architecture.

Constructivism in art originated in Russia in 1913 by Vladimir Tatlin. It was a rejection of autonomous art and focused on industrial production, using geometric forms and modest materials.

Soviet Constructivism was an artistic, design, and architectural movement that started in Russia around 1914. It combined politics and aesthetics, focusing on applied art.

Constructivism was an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. It aimed to reflect modern industrial society and urban space by rejecting decorative stylization in favor of industrial materials.

Naum Gabo's Constructed Head No.2 shows the influence of Cubism on Russian Constructivists. The artwork features a head constructed using metal, showcasing the Constructivist interest in metalwork.

Vladimir Tatlin, an early constructivist artist, designed the 'Monument to Commemorate the Third International' in 1917. It was intended to be the headquarters of Russia's Communist International Party but was never built. The design emphasized industrial achievements of Communism through modern materials like glass, iron, and steel.

In 1918, Rodchenko created the famous painting 'White Circle' which is housed in the State Russian Museum in St. Petersburg.

Vladimir Tatlin's most famous work, the 'Monument to the Third International,' was created in 1919. This monumental structure symbolized the goals of Russia's Communist revolution and showcased Tatlin's vision of merging art with modern purposes.

At the first major Constructivist exhibition in 1920, Alexander Rodchenko showcased his painting series titled Black on Black, which symbolized the emergence of the new material world during the Russian Revolution, contrasting Malevich's White on White.

Alexander Rodchenko's painting 'Pure Red Color, Pure Yellow Color, Pure Blue Color' from 1921 reduced painting to its simplest form with a triptych of colored squares. It challenged conventional thought and emotional attachment in art by emphasizing primary colors and rejecting sentimental notions.

In 1922, Alexei Gan, the theorist of the Constructivist movement, issued a manifesto that outlined the principles and goals of the movement.

El Lissitzky's Proun Room, exhibited in Berlin in 1923, extended his Suprematist-inspired works into an installation. It featured geometric shapes and linear vectors, symbolizing the transformation of art into a way of life.

The iconic Constructivist artwork by Alexander Rodchenko depicts a woman shouting the words in the title of the piece in sharp, linear forms, giving it a sonic dimension.

In 1928, Gustav Klutsis designed the All-Union Spartakiada postcard, reflecting the Constructivist aesthetics in promoting mass physical culture events in the Soviet Union.

The Zuev Workers’ Club, built in 1929, is an iconic example of Constructivist architecture. It represents the principles of Constructivism with its industrial-heavy design and geometric shapes.

Moholy-Nagy's Fisher Nets on Isola Bella pushes the boundaries of objects used in Constructivist art. The piece combines mixed media, including found objects, installation, and photography, reflecting the innovative approach of the artist.

Constructivism artists aimed to express their individual vision and beliefs through autonomous artworks. Works like 'Enthousiasm: Symphony of the Donbas' by Dziga Vertov in 1931 reflect this concept of creative autonomy and individual expression.

In 1932, the Ogonyok Magazine's printing plant was commissioned in Moscow as a famous work of Constructivism. Designed by Russian artist El Lissitzky, the building features a unique design with a mansard roof and circular windows.

In 1934, Varvara Stepanova created the photomontage 'Be Ready', featuring photographs by Aleksandr Rodchenko and embodying the Constructivist spirit of dynamic visual communication.

In 1937, Gabo published his International Survey of Constructive Art. The survey focused on the Constructivist art movement.

Vladimir Tatlin, the artist who initially conceived the assemblage art style, passed away in 1953.

Shepard Fairey's 'Hope' image, created for Barack Obama's 2008 campaign, is an iconic piece that conveys a message about social change and American politics.

In 2014, Kara Walker unveiled her newest work 'Sugar Baby' at the old Domino Sugar factory in Brooklyn, New York. The piece, a giant sphinx made of sugar, serves as a commentary on the capitalist origins of slavery.